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Toast CEO Suzie de Rohan Willner discussed five artistic and architectural influences in a Design Milk interview, including Anni Albers, Ruth Asawa, Philip Johnson’s Glass House and sculptor William Mitchell’s work at Liverpool Metropolitan Cathedral. She also described Toast projects centered on community, textile craft and reusing garments; the source does not announce a new company initiative.
Toast CEO Suzie de Rohan Willner has discussed how artists, architecture and craft inform her perspective on design in an interview with Design Milk, pairing five personal inspirations with examples of the clothing brand’s recent projects. The interview highlights a recurring interest in experimentation and extending the life of materials, but it is a profile rather than an announcement of a new Toast program.
De Rohan Willner named textile artist Anni Albers, sculptor Ruth Asawa, architect Philip Johnson’s Glass House in Connecticut, artist Isamu Noguchi and the sculptural doors at Liverpool Metropolitan Cathedral among her influences. She said Albers’s approach showed how textiles could move from traditional craft into recognized art, and described the artist’s attention to what a material can do before deciding how it should look.
She connected Asawa’s looped-wire sculptures with a contrast between strength and lightness, and said Noguchi’s work across sculpture, furniture, lanterns and gardens reflected a refusal to be limited to one medium. The Glass House, she said, demonstrates how architecture can connect interior life with the landscape. De Rohan Willner also described her stepfather, William Mitchell, as a pioneer of concrete as an artistic medium whose work combined research into a place’s history with modern forms.
The interview also covered Toast projects. For its Spring/Summer 2026 collection, the brand held a locally produced luncheon on farmland near Llansteffan Castle in Wales, which the source identifies as Toast’s birthplace. For a Spring/Summer 2025 collection event at Somerset House in London, dancers Francesca Matthys and Masumi Saito performed in the collection. De Rohan Willner also discussed a Toast Renewed capsule with textile artist Meta Struycken: eight full-size pieces made from returned or damaged Toast garments and fabric remnants, using techniques including embroidery, appliqué and quilting.
Craft and Reuse in Toast’s Work
The interview offers a view into how de Rohan Willner links artistic influence with product and brand activity. Her examples range from Albers’s material-led experimentation to Toast’s repair and reuse efforts, including Toast Repair, Renewed and Reworn. The connection is her stated perspective; the interview does not provide data on the programs’ scale, customer participation or environmental impact.
For readers interested in design and fashion, the account also shows how Toast presents its work beyond clothing: through gatherings, performances and collaborations with artists. The Welsh luncheon and Somerset House event frame collections through place and movement, while the Struycken capsule makes repair techniques part of the finished design. These examples provide context for the brand’s creative approach, without establishing how representative they are of its wider operations.
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The Influences Behind the Interview
Design Milk presented de Rohan Willner’s comments as part of its Friday Five series, which asks participants to share five sources of inspiration. The report says she grew up in a creative family and that Toast Creative Director Laura Shippey introduced her to the work of painter Lee Krasner. De Rohan Willner said she was struck by Krasner’s willingness to dismantle earlier works and make new compositions from their fragments.
She saw a parallel between that practice and Toast’s efforts to give damaged or unwanted garments another use. The source names Toast Repair, Toast Renewed and Reworn as examples, but does not give launch dates, sales figures or detailed operating information for those services. Its descriptions of the Fall/Winter 2026 collection, “Marking the Turn,” refer to seasonal rituals, folk traditions and handcraft techniques.
“She believed design is learned through direct experimentation with material. She asked what the material wanted to do before asking how it should look.”
— Suzie de Rohan Willner on Anni Albers
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What the Interview Does Not Establish
The source does not report a new launch date, financial result or change in Toast’s leadership. It describes a Spring/Summer 2026 luncheon, a Spring/Summer 2025 event and an upcoming Fall/Winter 2026 collection theme, but does not provide further dates or operational details for those projects. It is also unclear how many garments have been repaired, renewed or reworn, or what measurable effects the initiatives have had.
The comments about artistic influence are de Rohan Willner’s personal views, not independent evaluations of the artists or the projects. Design Milk’s report supplies no response from the named artists, event participants or other outside sources, and does not describe the commercial performance of the Meta Struycken capsule.
concrete sculpture William Mitchell
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Toast’s Fall Winter 2026 Collection
The interview describes Toast’s Fall/Winter 2026 collection, titled “Marking the Turn,” as drawing on seasonal rituals and gatherings. De Rohan Willner said it considers folk traditions through craft techniques, color and form. The interview does not specify a release date or provide details about the collection’s availability.
No additional announcement or next interview date is included in the report. Readers seeking specifics on the collection or the repair and reuse programs will need further information from Toast.
repair and reuse fabric clothing kit
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Key Questions
What did Suzie de Rohan Willner discuss with Design Milk?
She shared five influences—Anni Albers, Ruth Asawa, the Glass House, Isamu Noguchi and William Mitchell’s cathedral doors—and discussed Toast projects related to collections, events and garment reuse.
What is the Glass House connection?
De Rohan Willner named architect Philip Johnson’s Glass House in New Canaan, Connecticut, as an inspiration. She said its glass walls connect the interior with the surrounding landscape.
What was the Toast Renewed capsule?
According to the interview, textile artist Meta Struycken designed eight full-size pieces using returned or damaged Toast items and fabric remnants. The work used handcraft methods including embroidery, appliqué and quilting.
Did the interview announce a new Toast initiative?
No. The report discussed existing programs and described collection events and a capsule collaboration. It did not announce a new initiative or give performance figures for the programs.
What is Toast’s Fall/Winter 2026 theme?
De Rohan Willner said the collection is titled “Marking the Turn” and draws on seasonal rituals, gatherings and folk traditions. The source does not state its release date.
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